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Virgili "Tramuntana" I/XX (2023)

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SUB_5d4_22000

53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO I/XX MOMOKO (Paris 1965) Photographer Specialized in images, Virgili is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

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Auction closes:

  2024-12-19 18:05:00

 

The auction is closed

Lots from the same artist

  • Virgili "CUAL" II/X (2023)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO II/X MOMOKO (Paris 1965) Photographer Specialised in images, MOMOKO is an artistic photographer. His Artwork is characterised by the pictorial atmosphere, the use of colour, framing, light, speed and abstraction are his main interest when creating an image, not only with the technical effect, but also the anecdotal, whether it will or will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the viewer will be able to identify in the first person. He makes it clear that it is not only a photograph but that it can be interpreted as a frame of his (people's) imagination. The technique he likes to use for his photographic Artworks: Mixed, simple, direct and manual, no digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch by eliminating the polyethylene of normal paper and using a barium sulphate coating “barite” which gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 1/17/25 8:20 PM

  • Virgili "SUMAR" III/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO III/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

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    End Date: 1/17/25 8:25 PM

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    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO I/XX MOMOKO (Paris 1965) Photographer Specialized in images, Virgili is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 1/24/25 6:15 PM

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